Cleveland Museum of Art · Open Access
Image rights & attribution
- Image source
- Cleveland Museum of Art Open Access
- Rights / attribution
- Public domain; image provided by Cleveland Museum of Art
- License
- CC0 1.0 Universal
- Usage notes
- The official museum dataset marked this object share_license_status=CC0. Verified against GitHub snapshot 4684c48c7c07b1452db7963adf4aad8052055b7d on 2026-09-27. Leonard C. Hanna Jr. Fund Local WebP derivative resized without cropping. Attribution does not imply museum endorsement or availability for sale.
More like this
Continue the connection
Choose the kind of relationship you want to explore. Every connection below names the metadata signal it actually uses.
Goya (Francisco de Goya y Lucientes)
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
ca. 1816–20 · Brush, carbon black gray ink and was, scraper
Both works use a portrait format. Palette and composition metadata is unavailable for comparison. Image embeddings are not enabled.
Vincent P. Rosel
Firescreen
c. 1938 · watercolor, gouache, and graphite on paper
Both works use a portrait format. Palette and composition metadata is unavailable for comparison. Image embeddings are not enabled.
Pietro Vannini
Processional Cross
c. 1440–50 · silver, gilt-silver, and repoussé, over wood
Both works use a portrait format. Palette and composition metadata is unavailable for comparison. Image embeddings are not enabled.
Albert Bouts
The Annunciation
c. 1480 · oil on wood
Both works use a portrait format. Palette and composition metadata is unavailable for comparison. Image embeddings are not enabled.